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You searched for 'Documentary Proposal Cover letter'. Your search returned 6 results.

Why Your Documentary Grant Proposal Should be Like a Great Ski Run

At Sheffield Doc/Fest in 2015 one of the panels, which consisted of a range of funders and filmmakers, discussed how documentary producer/directors could best approach writing grant proposals for documentary funds. Writing proposals is generally the thing that visually-driven filmmakers like doing least. And, as Tracie Holder, Production Assistance Program Consultant to NYC-based Women Make Movies, pointed out: it’s hard to know what a good proposal looks like as filmmakers never see other people’s proposals.

Tracie explained that a written proposal is your introduction to a funder, so it should establish confidence that you can deliver a fantastic film.The reader should be able to “ski down the proposal without hitting any red flags”.

How to Write a Proposal a TV Commissioner Will Actually Read

Commissioning editors can receive up to 80 programme proposals a week; few will be read from start to finish. Many commissioners never read past the first paragraph, or even the title. On average, they make a decision within 40 seconds. Usually that decision results in the proposal being filed in the bin.

So how can you make sure a commissioner keeps reading to the end of your proposal? Here are ten ways to make your proposal stand out and keep your commissioner reading to the end.

How to Write a Proposal a TV Commissioner Will Actually Read

Commissioning editors can receive up to 80 programme proposals a week; few will be read from start to finish.

Many commissioners never read past the first paragraph, or even the title. On average, they make a decision within 40 seconds. Usually that decision results in the proposal being filed in the bin.

So how can you make sure a commissioner keeps reading to the end of your proposal? Here are ten ways to make your proposal stand out and keep your commissioner reading to the end.

Greenlit: Developing Factual/Reality TV Ideas From Concept to Pitch – Recommended Resources

Greenlit: Developing Factual/Reality TV Ideas from Concept to Pitch reveals how to get an idea for a documentary or non-fiction/reality television series such as Touching the Void, The Apprentice or Supernanny from concept to commission and explains why having a great idea is not enough. Candid interviews with fifty top industry insiders – including international […]

Six Ways to Allay Your Commissioning Editor’s Fears and Sell your TV Programme

You might think that all you need to get your TV programme commissioned is a good idea. Not so.

Assuming you have a really good idea, and have sprinkled it with fairy dust for luck, it is still unlikely that you will get your idea commissioned. Why? Because your commissioner is scared. They’re scared of commissioning a programme that might fail. And failing programmes put their jobs on the line. Which makes it your job to allay those fears and make it easy for them to say yes.

Here are six fears you need to address in your proposal and pitch. (Photo by Kables)

Field Guide to Factual Formats that Sell

A drama series is easy to recognize and categorize, but factual programming is more difficult to define. Different producers, commissioners, channels and countries use different names to describe the same thing.